A Long Pull & a Break
fine art painting
fine art painting
fine art painting
fine art painting
fine art painting
fine art painting
fine art painting
fine art painting
fine art painting
fine art painting
fine art painting

George Wright

British, (1860-1944)
A Long Pull & a Break
Oil on canvas, signed
Provenance: Newman Galleries, Philadelphia, USA

A fine painting of stage coach passing a pack of hounds by George Wright. A horse drawn carriage with passengers on top and a mail guard at the rear are shown travelling along a country road. Meanwhile, a pack of hounds and their kennel master can be seen resting by the side of the road. As the coach approaches, the driver pulls on the reigns to slow the horses down to avoid scattering the animals and causing an accident.

George Wright was a sporting and landscape artist who was born in Leeds on 30 June, 1860. He was the son of George Edward Wright, a bookkeeper and cashier and his wife Elizabeth. His brother Gilbert Scott Wright (1880-1958) and his sister Louisa also became artists. He lived with his family at 22 South Ridge Street in Holbeck, where his father worked for a local felt factory, later moving to Victoria Road, Headingley.

Wright specialised in highly detailed sporting and coaching scenes usually featuring horses and was highly skilled at painting them in action. He was himself a keen huntsman which gave him the inspiration to paint hunting scenes and also led to many commissions from fellow sportsmen and horse owners. Early on in his career he often worked with his brother Gilbert submitting illustrations for calendars. He married Rose Ellen Tribe on 30 March, 1885 at St Augustine’s Church in Wrangthorn, near Leeds. The couple made their home in Wrangthorn where their two children were born. Sometime during the early 1890’s they moved to 26 Regents Park Road, in Headingley, Leeds. He is also known to have spent time in Annan, in South west Scotland painting the scenery there. It was from Annan where his began exhibiting at the Royal Academy in 1892.

By the turn of the century had established himself as a successful artist and had moved to Buckingam House, 150 Clifton Road in Rugby, Warwickshire. He continued living in Rugby until 1904 when he made the move to Summerton in Oxford residing at Bilton Lodge on Lathbury Road. From 1925 he worked for Ackermanns in the U.K. and Grand Central Galleries in New York and had many exhibitions at both galleries. Around 1929, Wright and his family moved to 84 Kings Road in Richmond, Surrey where he continued to paint. Whilst in Surrey he also hunted with the Old Surrey and Burstow hunt. In the early 1940’s he made his final move to 3 Queens Park Gardens Seaford where he died in Seaford, Sussex on 11 March, 1944.

Examples of his paintings can be found at the Hepworth Gallery, Southampton City Art Gallery, Tullie House Museum & Art Gallery and the Walker Art Gallery.

© Benton Fine Art

Presentation The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears gallery labels for Newman Galleries, Philadelphia. Newman Galleries was established in 1865 by George and Adolph Newman at 806 Market Street, Philadelphia. In 1893 the brothers dissolved the partnership and opened separate galleries. Adolph opened the Adolph Newman and Son Gallery at 704 Chestnut Street with his son Walter B Newman. In 1935, the gallery moved to 1625 Walnut Street and later became the Newman Galleries. The business continued trading until around 2008.
Condition As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

Dimensions

Image size 13.5 inches x 19.5 inches (34.5cm x 49.5cm)
Framed size 21 inches x 27 inches (53.5cm x 68.5cm)
£4,400.00